{"title":"World \/ Tropical","description":"\u003cp\u003eSounds from further afield: African, Brazilian, Latin, Caribbean, Middle Eastern and Asian records, from highlife, soukous and rhumba to tropicália and cumbia. New reissues and used original pressings, from Gal Costa to Guy One, at our record shop in Dalston.\u003c\/p\u003e","products":[{"product_id":"lovari-titi-robin","title":"Lovari - Titi Robin","description":"\u003cp\u003eBorn Thierry Robin in Rochefort-sur-Loire in 1957, \u003cstrong\u003eTiti Robin\u003c\/strong\u003e has spent four decades forging one of the most distinctive and unclassifiable bodies of work in contemporary music. A master of the buzuq, oud, and guitar, he has traversed the musical landscapes of Brittany, Catalonia, Morocco, and India, not as a collector of exotic sounds, but as a deeply committed artist building his own singular language. His music refuses easy categorisation: rooted in Romani and Mediterranean traditions, it breathes with the logic of polyrhythm, modal improvisation, and an unflinching personal voice. Praised by figures as far-reaching as Peter Gabriel and Brian Eno, Robin has long occupied a rare space between the intimate and the universal.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLovari\u003c\/strong\u003e — named after a clan of Romani Gypsies — is neither a compilation nor a simple retrospective. Released in May 2026 on the Paris-based Hot Mule label, it is a carefully curated selection that offers a coherent and illuminating perspective on Robin's artistic journey. 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It also stands as Esa’s most collaborative release to date, featuring contributions from musicians across London, Oaxaca, Nairobi, and Cape Town, each adding their own creative energy to a project built on openness, trust, and shared experience.\u003cbr\u003e\u003cbr\u003eThe album draws inspiration from Esa’s recent ventures into documentary scoring and soundtracking, with projects like Cursed (Audible) and The Invisible Hand teaching him to listen differently, to honour space, to serve the story. That sensibility permeates the album, resulting in music that breathes, lingers, and listens as much as it speaks.\u003cbr\u003e\u003cbr\u003eThe title, Dala What We Must, is a South African call to action: a reminder to do what’s necessary, even in uncertainty. 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Known as “Hawai‘i’s First Lady of Song,” Genoa Keawe brought her signature falsetto and heartfelt delivery to this collection of hula classics. Released by Hula Records, the album captures the essence of a Hawaiian party, blending traditional melodies with an infectious sense of joy and community.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe tracklist features a mix of well-known hula standards and lesser-known gems, all performed with Genoa Keawe’s distinctive style. Songs like “Noho Paipai” and “Ahulili” highlight her ability to convey emotion and storytelling through music, while tracks such as “Papalina Lahilahi” and “Mauna Loa” showcase her mastery of traditional Hawaiian vocal techniques. 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The album has some of Ben’s most famous songs, “\u003cstrong\u003eTaj Mahal\u003c\/strong\u003e” (plagiarized by Rod Stewart on his song “Da Ya Think I’m Sexy?”, as the British singer admitted himself in 2012), and “Fio Maravilha”, paying homage to Flamengo’s iconic football player Fio Maravilha. This fantastic album catapulted the Brazilian singer to international fame at the time. However, \u003cstrong\u003eJorge Ben\u003c\/strong\u003e had already been making magic for almost a decade in Brazil and his compositions and grooves left an undeniable impact on the scene in the post-bossa years. 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With a loose, party-ready energy and authentic vintage feel, this volume sits proudly alongside many sought-after South American releases of the era, offering a vibrant snapshot of Venezuelan popular music on wax.\u003c\/p\u003e","brand":"kingslandrecords","offers":[{"title":"Default Title","offer_id":60194076524878,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/3474\/2094\/files\/e1ea5f_8afaf3df2c774887b8f55ce7d38569a3_mv2.jpg?v=1784734009"},{"product_id":"roberto-carlos-amada-amante-eu-so-tenho-um-caminho-meu-pequeno-cachoeiro","title":"Roberto Carlos ‎– Amada Amante \/ Eu Só Tenho Um Caminho \/ Meu Pequeno Cachoeiro","description":"","brand":"kingslandrecords","offers":[{"title":"Default Title","offer_id":60194085634382,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/3474\/2094\/files\/e1ea5f_6179f86e5bb643488c425ca93ee6815e_mv2.jpg?v=1784734027"},{"product_id":"gil-da-mata-ciranda","title":"Gil Da Mata ‎– Ciranda","description":"","brand":"kingslandrecords","offers":[{"title":"Default Title","offer_id":60194086420814,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/3474\/2094\/files\/e1ea5f_d2ecabcde1fa4b7ba1e3adb6b5573a07_mv2.jpg?v=1784734030"},{"product_id":"dykal-joao-e-maria-so-lembranca","title":"Dykal ‎– João E Maria \/ Só Lembrança","description":"","brand":"kingslandrecords","offers":[{"title":"Default Title","offer_id":60194087010638,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/3474\/2094\/files\/e1ea5f_fb4e780715ab4e0c8999efd2bdceb4a7_mv2.jpg?v=1784734033"},{"product_id":"reflexu-s-da-mae-africa","title":"Reflexu's ‎– Da Mãe África","description":"\u003cp\u003e\u003cbr\u003eDiscover the captivating sounds of Reflexu's Da Mãe África, a 1987 vinyl LP that showcases deep cultural roots and exceptional artistry. This record is accompanied by its original insert, enhancing your experience of this classic masterpiece. The disc, cover, and insert have all been meticulously cleaned to elevate their condition. Representing a piece of musical history, this album is ideal for collectors and enthusiasts alike. Perfect for both listening and display, it's a valuable addition to any vinyl collection.\u003cbr\u003e\u003cbr\u003eImmerse yourself in the rich sounds of Reflexu's Da Mãe África, a stunning 1987 vinyl LP that embodies the essence of African music culture. This particular record is in Very Good (VG) condition, ensuring a rewarding listening experience with only minor imperfections that do not detract from its musical quality. Both the cover and the accompanying insert are also reported to be in Very Good condition, reflecting the dedication of previous owners who clearly valued the record highly. Each component of this LP, including the disc, cover, and insert, has been thoroughly sanitized, ensuring you receive a product that is as clean as it is captivating. The internal and external plastics have been replaced with brand new ones, providing additional protection against wear. The artistic vision of Reflexu's is beautifully presented within this album, making it a great find for avid collectors and music lovers who appreciate textured sounds and inspiring lyrics. This gem of a record not only enriches your music library but also serves as an intriguing conversation starter for your gatherings. Whether you're spinning it on your turntable or simply displaying it on your shelf, Reflexu's Da Mãe África is sure to captivate all who encounter it. Don’t miss your chance to own this significant piece of musical heritage, complete with its original insert to add a layer of authenticity and history.\u003c\/p\u003e","brand":"kingslandrecords","offers":[{"title":"Default Title","offer_id":60194095628622,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/3474\/2094\/files\/e1ea5f_5a45a746d246441ab46b8d278461891b_mv2.jpg?v=1784734062"},{"product_id":"abel-ferreira-brasil-sax-e-clarineta","title":"Abel Ferreira ‎– Brasil, Sax E Clarineta","description":"\u003cp\u003eUntil the early 1960s, there was a healthy debate within the music community about who was, at that time, the most important saxophonist and clarinetist in Brazil: Luiz Americano from Sergipe or Abel Ferreira from Minas Gerais. Upon Americano's death, the unimpeachable critic Lúcio Rangel wrote the following for Manchete magazine: \"The greatest Brazilian clarinetist and saxophonist is Abel Ferreira, and that is beyond dispute.\"\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eLeaving aside personal tastes and opinions, it is known that Abel Ferreira (1915-1980) was indeed sought after by major artists in the country. Already a veteran and with a prominent role in the revival of choro music in the 1970s, he also recorded his alto and soprano saxophones and, especially, his clarinet on albums by Ney Matogrosso, Dona Ivone Lara, Cartola, Beth Carvalho, João Bosco, Monarco, Cristina and Chico Buarque.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eIn the series conceived by Discos Marcus Pereira to highlight great choro soloists – among them, flautist Altamiro Carrilho, trombonist Raul de Barros, mandolinist Luperce Miranda and guitarist Canhoto da Paraíba – Abel Ferreira could not be left out.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eIn the 1976 album \"Brasil, sax e clarineta\" (Brazil, Sax and Clarinet), Abel performs his own compositions, such as his best-known work, \"Chorando baixinho\" (Crying Softly), as well as songs by authors who were influential to him: Luiz Americano (\"Sorriso de cristal\" - Crystal Smile), Severino Rangel, aka Ratinho (\"Saxofone, por que choras?\" - Saxophone, Why Do You Cry?), Pixinguinha (\"Cochichando\" - Whispering), and Chiquinha Gonzaga (\"Corta-jaca\" - Jackfruit Cutter).\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eRepertoire\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eSide A\u003c\/p\u003e\u003cp\u003eCorta-jaca (Chiquinha Gonzaga) – Abel Ferreira (clarinet)\u003c\/p\u003e\u003cp\u003eCrystal Smile (Luiz Americano) – Abel Ferreira (alto sax)\u003c\/p\u003e\u003cp\u003eHurting (Adalberto de Souza) – Abel Ferreira (soprano sax)\u003c\/p\u003e\u003cp\u003eRapaziada do Brás (Alberto Marino) – Abel Ferreira (clarinet)\u003c\/p\u003e\u003cp\u003eCrying softly (Abel Ferreira) – Abel Ferreira (clarinet)\u003c\/p\u003e\u003cp\u003eAndré de sapato novo (André Victor Correia) – Abel Ferreira (clarinet) and Raul de Barros (trombone)\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eSide B\u003c\/p\u003e\u003cp\u003eWhispering (Pixinguinha) – Abel Ferreira (soprano sax)\u003c\/p\u003e\u003cp\u003eGet out of the way (Abel Ferreira) – Abel Ferreira (clarinet)\u003c\/p\u003e\u003cp\u003eHaroldo in the cry (Abel Ferreira) – Abel Ferreira (clarinet)\u003c\/p\u003e\u003cp\u003eMoonlight of Coromandel (Abel Ferreira) – Abel Ferreira (clarinet)\u003c\/p\u003e\u003cp\u003eSaxophone, why are you crying? 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Fusing post-industrial, dub techno, avant-garde jazz, African drumming, and experimental hip-hop into a dark, captivating sonic experience.\u003cbr\u003e\u003cbr\u003eA thrilling new collaboration led by the trailblazing Pouya Ehsaei (live electronics\/ Ariwo, From the Lips to the Moon, Parasang), the project features the untamable force of Tamar Osborn (Collocutor, Flock, Unknown to Known) on wind instruments, and the kaleidoscopic voice of Tara Fatehi (From the Lips to the moon, Mishandled Archive).\u003cbr\u003e\u003cbr\u003eInspired by the journey of Zar — possession-trance healing rituals rooted in dance, percussion, and song — People of the Wind draws the listener on a sea voyage, from the shores of East Africa to the haunted coasts of Iran. 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Recorded in Brazil, it’s the result of numerous treks through funky flea markets, soaking up old vinyls and vintage cultural artefacts combined with a new life led in Berlin since 2022.\u003cbr\u003e\u003cbr\u003eMauricio, as well as a founding member of Bixiga 70 (google Brazilian Afrobeat pioneers), a band he fronted for over 12 years, is also an in-demand collaborator and musician who as a pianist, guitarist and even percussionist has shared stages and studios with the likes of Brazilian greats including Gal Costa, Emicida, Lucas Santtana, João Donato and Liniker.\u003cbr\u003e\u003cbr\u003eIn contemporary music, Mauricio was part of Toy Selectah and Mexican Institute of Sound’s Compass project. He’s worked with Colombia’s Los Pirañas and has even recorded a mysterious and unreleased album with Quantic.\u003cbr\u003e\u003cbr\u003eRevoada shows signature traces of Thelonious Monk, Ramsey Lewis’ swinging soul sound, Deodato’s drama, and styles from further afield, spreading into Turkish psych and Ethiopian jazz, when the time is right. 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With Liam at the helm, the group is composed of members of Surprise Chef, Karate Boogaloo, Saskwatch and Let Your Hair Down.\u003cbr\u003e\u003cbr\u003eThe resulting recordings realise McGorry’s sonic visions of film noir, giallo, library music and cinematic soul, captured live in one room with what the maestro describes as “a shared spirit”. The recordings, produced by College Of Knowledge in-house producer Henry Jenkins, bring together emotive string arrangements, tough horns and a steadfast rhythm section with an acute attention to detail McGorry has developed over years in the saddle.\u003cbr\u003e\u003cbr\u003eA veteran of Melbourne soul, McGorry’s steady hands have touched some of the city’s most revered projects over the last 15 years; McGorry-led projects Saskwatch, Dorsal Fins and Ex-Olympian sit aside Sampa The Great, Ella Thompson and Adrian Eagle on Liam’s list of credits and collaborators. 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Active as a band since 2015, they have recorded four albums: \u003cem\u003e8 Años\u003c\/em\u003e (2017), \u003cem\u003eEl Camino De Mi Alma\u003c\/em\u003e (2018), \u003cem\u003eHoy Como Ayer\u003c\/em\u003e (2019), and the latest LP \u003cem\u003eHijos Del Sol\u003c\/em\u003e (Children Of The Sun).\u003c\/p\u003e\u003cp\u003eA body of work that has been inspired by their journey through the vast natural landscapes of Mexico, the silence of the desert, the sun, and their love for this country that made them feel \"like going home,\" as they affirm. Out came a soundtrack of the landscapes they've been exploring. 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Perhaps the exception to this instinct of “pattana” (Thai for development or evolution) has been the luk thung genre, which, despite great forward leaps in the 1960s and 1970s, has been stagnant since the 1990s. New Luk Thung is here, however, as JUU and his friends update the luk thung genre with keyboards, drum machines, and samples from luk thung classics. Contemporary hip hop and trap are fused with luk thung and ramwong elements, as well as the traditional Isan\/Lao instruments khaen and phin. Ex-biker JUU has been musically active since the 1990s as a respected rapper, musician and producer, relocating from Bangkok to the musically rich Isan region. His lyrics, in Thai, English, Khmer and Japanese, deal predominantly, humorously and punningly with ganja. New Luk Thung features 10 new tunes, recorded 2017-2019, produced by JUU and Young G (stillichimiya). Vocal guests include G. Jee, Chinza Dopeness, Dengaryu, MMM, Big Ben, Mr. Maro and Young-G. 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