he sound of dubs mixed by King Tubby (Osbourne Ruddock) in Jamaica in the early to mid-1970s have long been the stuff of legend in reggae. Those who take a deep dive into the origins of electronic dance music or hip-hop will inevitably confront this formidable legacy. Tubby is also a household name among recording engineers, regardless of genre, as his approach to his craft was genuinely groundbreaking, the idea that a vocal mix of a song was just the beginning of sonic possibilities, not the end goal. 

Originally included on the dub compilation CD series Evolution Of Dub, Greensleeves Records in association with Gorgon Music has brought King Tubby Presents The Roots Of Dub and Dub From The Roots back to vinyl with fresh, newly mastered pressings. 

“Nobody had ever heard remixing done to the extent that dub was deconstructing these vocals,” explains musicologist and Blood & Fire A&R man Steve Barrow. “That was Tubby’s genius. In a sense, King Tubby gave the world new ears to listen to music.” 

From 1968-1975, Ruddock ruled one of the most revered soundsystems in Jamaica, Tubby’s Home Town Hi-Fi out of Waterhouse. It was sidelined by bullets in 1975, the year Dub From The Roots and the Roots of Dub were released. Tubby’s soundsystem is the most celebrated in the history of Jamaican music because of its power (heard for miles away), sonic quality (purportedly crystal clear), and armed with the most exclusive and exceptional music of the day (much of which was produced by Bunny Lee), usually mixed and cut to acetate (i.e. dubplate) by the exacting owner himself. Take all of that and add the pick of the litter of Kingston’s emcees to liven up the dances, and King Tubby’s Home Town Hi-Fi was the complete package.