The late 80s represent a robust but controversial period in the Jamaican 
recording industry, as DJs were on the rise with new lyrical approaches, and digital production ruled the day. In the centre of the storm was Lloyd James better known as King Jammy, who is credited for revolutionizing digital production several years earlier with Wayne Smith’s “Under Mi Sleng Teng.” This was the era the term ‘dancehall’ came widely into circulation to describe the new digital sound that came to commonly include slack lyrics and gun themes popular on the street. 

Still relevant, the artists from the 1970s were working to redefine themselves in the digital era. Groups like Cultural Roots remained active, even if their multi-part harmony vocals might have seemed overly ornate on these new digital backing tracks, replete with drum machines and sparse synthesized chords. Solo singers like Johnny Osbourne, Junior Murvin, and the up-and-coming Cocoa Tea found a place for melody alongside the new crop of emcees.