Galina Juritz - One Weird Trick

Galina Juritz - One Weird Trick

ยฃ25.00
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Galina Juritz - One Weird Trick

Galina Juritz - One Weird Trick

ยฃ25.00

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British South African composer and producer Galina Juritz presents '๐‘ถ๐’๐’† ๐‘พ๐’†๐’Š๐’“๐’… ๐‘ป๐’“๐’Š๐’„๐’Œ', her debut solo album, on London's home for interdisciplinary oddballs, Kit Records.

As a classically trained violinist, Galina has worked in bands and ensembles such as ๐“๐ก๐ž ๐’๐ก๐ก๐€๐ซ๐ญ ๐„๐ง๐ฌ๐ž๐ฆ๐›๐ฅ๐ž, ๐ˆ๐ง๐œ๐ฅ๐ž๐ฆ๐ž๐ง๐ญ๐ข๐ง๐ž, and in various combinations featuring leading musicians from Cape Town and Johannesburg's celebrated classical and jazz scenes.

Galina composed the music for '๐‘ด๐’‚๐’…๐’๐’†๐’”๐’”: ๐‘บ๐’๐’๐’ˆ๐’” ๐‘ถ๐’‡ ๐‘ฏ๐’๐’‘๐’† ๐’‚๐’๐’… ๐‘ซ๐’†๐’”๐’‘๐’‚๐’Š๐’“', a cantata made in collaboration with ๐ƒ๐ข๐ณ๐ฎ ๐๐ฅ๐š๐š๐ญ๐ฃ๐ข๐ž๐ฌ, with a libretto by psychiatrist ๐ƒ๐ซ ๐’๐ž๐š๐ง ๐๐š๐ฎ๐ฆ๐š๐ง๐ง. '๐˜”๐˜ข๐˜ฅ๐˜ฏ๐˜ฆ๐˜ด๐˜ด' debuted at the World Psychiatry International Congress in 2016, and had a two week run at Cape Town's Baxter Theatre in 2017. As a composer, she frequently writes for film, animation and ensemble.

Galina has collaborated with the likes of ๐๐ž๐จ ๐Œ๐ฎ๐ฒ๐š๐ง๐ ๐š, ๐Œ๐ซ ๐๐ž๐š๐ญ๐ง๐ข๐œ๐ค, ๐‚๐š๐ซ๐š ๐’๐ญ๐š๐œ๐ž๐ฒ, ๐Š๐ž๐ฅ๐ฉ๐ž, ๐‰๐ฎ๐ฅ๐ข๐š๐ง๐š ๐•๐ž๐ง๐ญ๐ž๐ซ, ๐•๐ข๐จ๐ฅ๐ž๐ญ๐š ๐†๐š๐ซ๐œ๐ข๐š, Kit Records head ๐‘๐ข๐œ๐ก๐š๐ซ๐ ๐†๐ซ๐ž๐ž๐ง๐š๐ง, and more. She has been remixed by artists including ๐๐ก๐จ๐ญ๐š๐ฒ, ๐Œ๐ž๐ฆ๐จ๐ญ๐จ๐ง๐ž and ๐“๐จ๐ฆ ๐’๐ค๐ข๐ง๐ง๐ž๐ซ (๐’๐จ๐ง๐ฌ ๐จ๐Ÿ ๐Š๐ž๐ฆ๐ž๐ญ, ๐“๐ก๐ž ๐’๐ฆ๐ข๐ฅ๐ž).

'๐‘ถ๐’๐’† ๐‘พ๐’†๐’Š๐’“๐’… ๐‘ป๐’“๐’Š๐’„๐’Œ' is the culmination of Galina's solo material. Still rooted in the ornate, technical world of stringย composition and arrangement, the album is stubbornly unclassifiable.

Opening with time-dilated ambient ('๐˜“๐˜ฆ๐˜ข๐˜ท๐˜ฆ๐˜ด') before segueing into rippling, florid techno ('๐˜š๐˜ฌ๐˜ฆ๐˜ญ๐˜ฆ๐˜ต๐˜ฐ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜›๐˜ช๐˜จ๐˜ฆ๐˜ณ'), Galina twists again and again, shifting gears through stoned, jazz-inflected r'n'b ('๐˜›๐˜ฉ๐˜ช๐˜ฏ๐˜จ๐˜ด ๐˜ ๐˜’๐˜ฏ๐˜ฐ๐˜ธ ๐˜ต๐˜ฐ ๐˜ฃ๐˜ฆ ๐˜›๐˜ณ๐˜ถ๐˜ฆ'), string-led widescreen songcraft ('๐˜Š๐˜ฐ๐˜ฎ๐˜ฆ ๐˜‰๐˜ข๐˜ค๐˜ฌ') and orchestral minimalism for standing on vast shorelines ('๐˜›๐˜ช๐˜ฎ๐˜ฆ ๐˜š๐˜ฑ๐˜ญ๐˜ช๐˜ต ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜š๐˜ฆ๐˜ข๐˜ฎ๐˜ด ๐˜ฐ๐˜ง ๐˜ ๐˜ฐ๐˜ถ๐˜ณ ๐˜‹๐˜ฆ๐˜ฑ๐˜ข๐˜ณ๐˜ต๐˜ถ๐˜ณ๐˜ฆ').

On the B side, Galina flexes her composition chops with the storming jazz of '๐˜š๐˜ฑ๐˜ช๐˜ณ๐˜ช๐˜ต ๐˜“๐˜ฆ๐˜ท๐˜ฆ๐˜ญ', recorded by Cape Town-based musicians ๐๐ฎ๐๐๐ฒ ๐–๐ž๐ฅ๐ฅ๐ฌ, ๐€๐ง๐๐ซ๐ž๐ฐ ๐‹๐ข๐ฅ๐ฅ๐ž๐ฒ, ๐‰๐จ๐ง๐ง๐จ ๐’๐ฐ๐ž๐ž๐ญ๐ฆ๐š๐ง and ๐’๐ญ๐ž๐ฉ๐ก๐ž๐ง ๐๐ž ๐’๐จ๐ฎ๐ณ๐š. Galina is then joined by ๐“๐ก๐ž ๐’๐ญ๐จ๐œ๐ค๐ก๐จ๐ฅ๐ฆ ๐’๐š๐ฑ ๐๐ฎ๐š๐ซ๐ญ๐ž๐ญ on '๐˜๐˜ฏ ๐˜™๐˜ฆ๐˜ฃ๐˜ฆ๐˜ญ๐˜ญ๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜›๐˜ช๐˜ฎ๐˜ฆ', a stately Reichian revelation that moves from solemn ballet to ecstatic multiharmonic denouement. To close, Galina retrieves oozing electronics and smeared journal entries from the guts of a black hole - a fitting conclusion to a truly unique, unpredictable, delightful, sad, infectious, and bizarre record.

Influences / sounds like: ๐‹๐จ๐ฎ๐ข๐ฌ ๐‚๐จ๐ฅ๐ž, ๐Œ๐š๐ญ๐ญ๐ก๐ž๐ฐ ๐‡๐ž๐ซ๐›๐ž๐ซ๐ญ, ๐ƒ๐š๐ซ๐ค๐ฌ๐ข๐๐ž, ๐“๐ก๐ฎ๐ง๐๐ž๐ซ๐œ๐š๐ญ, ๐„๐ข๐ค๐จ ๐ˆ๐ฌ๐ก๐ข๐›๐š๐ฌ๐ก๐ข, ๐„๐‚๐Œ, ๐Ž๐ฅ๐ข๐ฏ๐ž๐ซ ๐‚๐จ๐š๐ญ๐ž๐ฌ.